My Motown Experience – Part One

Image result for 6255 Sunset Blvd Hollywood
6255 Sunset Blvd.

I worked for Berry Gordy in the early eighties.

If you worked at Motown Records, you worked for Gordy. Whether you actually saw him was beside the point. I never saw him, but a lot of mail passed through my hands on the way to him.

I found out about a mailroom opening from a friend while I was working at a hotel my dad managed in Hollywood, The Magic Hotel (now The Magic Castle Hotel). I was twenty and had worked at the hotel for several years – doing a little bit of everything but mainly front desk duties at that time. My twin brother Chris also worked at the hotel and, looking back, we had a sweet deal. In addition to our paychecks we lived rent-free in a wonderful old apartment on Franklin Avenue and Orange Drive – in between the fabled Magic Castle and the hotel.

But none of that seemed to matter. I was young, and this was Motown.

I spiffed up and went to fill out an application at what I thought of as the First Interstate Bank Building at 6255 Sunset. I met the HR boss, Brenda Johnson, and had a brief chat after I filled out my application. Memory is a funny thing. I’d like to think she hired me on the spot, but it would be safer to assume I got a call from her later.

Motown occupied three floors in that building and each floor seemed to have its own personality. Floor 16 was a bit sterile – things like personnel, accounts payable and receivable (finance), the tape library (run by an outstanding human being named Frances Maclin) and what I believe used to be called data processing – an ice-cold room that housed the computer systems. But Jobete Music, a Motown publishing arm, was also down there.

The mailroom was on the 17th floor, surrounded by creatives – Promotions, A&R, International, Publicity and much more, including the offices of then-president Jay Lasker, who was also president of ABC-Dunhill Records in its glory days of The Grass Roots and Three Dog Night.

When I started, songwriter Ron Miller’s office was directly across from the mailroom. I could lean on the half-door’s counter and look at him in there if his door was open. Miller wrote many songs for Motown artists in the sixties and seventies, including the lyrics to “For Once in my Life,” – of which Stevie Wonder’s version was a monster hit.

Another memory of the 17th floor was that a young Benny Medina had an office there. Medina was A&R boss at the time, and some of his real-life experiences were the basis for NBC’s “The Fresh Prince of Bel-Air.

Image result for benny Medina and will smith

The 18th floor was rarefied – Gordy’s executive suite, Smokey Robinson’s office and Motown Productions (MPI – headed up by Suzanne de Passe) were all there. I also remember a guy named Tony Jones, who had a management company up there, somehow connected to Motown. At that time, he represented an artist named Finis Henderson. I remember a couple of Henderson’s songs; “Skip to My Lou” and “Blame It On the Night.” Years later I saw Henderson do standup at The Comedy Store on a bill with a then-relatively unknown Dennis Miller.

I did mail runs twice a day – maybe three – on every floor with my little cart. It was also part of the job to restock the coffee stations. We were also in charge of the office supplies, which were kept in a locked storeroom inside the mailroom – and my immediate boss Reginald Dotson was over purchasing. I cross-trained in purchasing – processing purchase orders. We made a morning and an evening trip to the Hollywood post office on Wilcox. I worked with a great bunch of guys, and I will never forget them.

I was at Motown for roughly 18 months, beginning in August of 1983. Everywhere you went, it seemed like the walls breathed music. Everybody had a stereo, and most of them were in use at all times. Some examples of stuff that came out during my time there are Lionel Richie’s “All Night Long,” Stevie Wonder’s “I Just Called to Say I Love You,” The Commodores’ “Night Shift” and Rockwell’s “Somebody’s Watching Me.” Rockwell was one of the boss’ kids, Kennedy Gordy, and I suspect a favor was called in for Michael Jackson’s appearance on that record.

Jackson was long gone from Motown by the time I got there, but Jermaine was still signed. Three months before I joined the payroll, Michael debuted his Moonwalk on NBC’s “Motown 25: Yesterday, Today Forever.”

Other snippets of memory: DeBarge’s “All This Love,” Teena Marie, and the Rick James’ album, Cold Blooded.

I’m happy to be setting all of this down before the memories are lost to time. There will be more.

Image result for mOTOWN lOGO 1980S
6 comments
  1. John Creech said:

    Very interesting. I love stories about So Cal back in the day

    Liked by 1 person

  2. brett yale said:

    Had the pleasure of meeting Smokey Robinson, and to this day remain friends with his son,Berry..Lovely people, ..that was the best of times I remember going to see Rockwell play, you introduced us. &&__/65 for

    Liked by 1 person

  3. David Aronek said:

    The reason Jermaine stayed around Motown was his solo career (floundering) and marriage to Berry Gordy’s daughter Hazel. I worked at Motown starting in 1976 as Receivables Bookkeeper in Finance under Milt Bogrow, Dave Harrison and Michael Roshkind (embezzled with a 24kt Royse! Plated Rolls Royce!
    I remember the Temptations singing “We’re in the money” walking into the bank downstairs next to the Money Tree! Also, Marvin Gaye coming in during his Crack runs with Rick James! Bumping into Stevie Wonder and Billy Dee Williams in the elevator. Those were the days!

    Liked by 1 person

    • This is awesome, David! Love your vignettes from those wonderful days!

      Like

      • David aronek said:

        Thank you Roger! I saw that my name is listed at the Motown Alumni site! If I didn’t see it I wouldn’t believe it! Forgot the famous elevator ride with Billy Dee Williams and Richard Pryor under the creative con-trol of Suzanne DePasse @Casablanca for “Scott Joplin.” I got tickets from them for that. Was also at Pryor’ show “Live on Sunset Strip” and remained friends with Richard right up until the end when his illness put him in a wheelchair. He loved the “Original room” at the Comedy store (where up and coming comedians like Andrew Dice Clay & Sam Kinison were just being recognized. Good times!

        Liked by 1 person

      • Outstanding! Those elevators hoisted some awesome people. So cool about your relationship with Pryor, I recently found out about the alumni site and emailed them. Congrats on the inclusion!

        Like

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